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Tersedia dalam Kuantitas SANGAT Terbatas, karena masing masing di cetak dalam kuantitas 50 Kopi per-Titel nya. dan Rilisan Reprisal Promotion tidak tersedia dalam format Digital (Kecuali single promo atau Digital Release) dan Eksklusif hanya tersedia by Mailorder, so Rilisan ini tidak tersedia dimanapun selain di Official website Reprisal Promotions. untuk informasi lebih komplit dan Harga silahkan klik masing masing cover Rilisan diatas atau Cari DISINI

 
     
 
UPCOMING RELEASE AND NEWS REPRISAL PROMOTIONS
 
 
     
 

MOURNING SILENCE ..... Debut Full album pertama setelah memutuskan untuk comeback dan memilih menjadi One Man Project karena banyak alasan dari debu Melodic Death/Black Metal satu satunya dari Blitar Scene yang eksis sejak awal 2000 silam. meski engga segelap warna konsep awal, sentuhan baru kali ini masih dipandang memberi nuansa kekejaman dalam pedih-nya hidup. dan Tahun 2018 awal Mourning Silence untuk pertama kalinya memperkenalkan 1 lagu barunya yang bertitel " The Mind Paralyzing " yang dipublish dalam Kompilasi Sampler Reprisal Promotions menjadi materi Melodius DM Agresif dan lebih menyegarkan lagi jika dibandingkan dengan konsep awal. dan Tahun 2020 Mourning Silence berhasil merampung debut full album ke-2 " On Darkened Paths " yang akan dipublikasikan oleh Reprisal Promotions. The song doesn’t drag on and nothing sounds unnecessary, like the rest of the album. Everything has a purpose, and every instrument does its job to the fullest. The hounding riffs that rile and devastate are followed closely by the low basses, allowing for an extra boom to the already severe guitar tone. And Great melodic death record should be with great and emotional instrumental passages, which this album has is a interlude that sounds as cold as it feels. Mourning Silence Seduction Nocturne feel the same and are equally as impressive. Most of the album " On Darkened Paths " encompasses his mutilated black metal screams, but his demonic roar of a scream is where the ferocity meets the right balance of intricacy.







DEMENSIA .... Hardly the most convincing Metamorphosis witnessed during the 90’s with its still interesting, but quite flawed blend of the nice old Thrash and the trendy Groovy/Aggro tunes with Modern and the Old School Death/Thrash Hybridization has been manipulated several times throughout the years : it can always take another one, especially from a bunch of ever conformin. mengalir begitu saja persis kalian pas berak disungai, Tokai dibiarkan mengalir mengikuti arus air yang mengalir tanpa kalian sempat mengucapkan salam perpisahan, karena berharap besoknya lagi akan melepaskan kloter berikut hasil olahan sampah semalam. tanpa konsep musik yang jelas, DEMENSIA lahir begitu saja tanpa direncanakan. ngakunya sih dapat petunjuk dari pendahulu seperti : Carnal Forge, Krabathor atau Messiah, tapi entahlah, namanya juga manusia yang suka aja nyari nyari alasan biar selalu terlihat cool dan Benar, debut Full albumnya " Diorama Phobia " mungkin bisa kalian Eksplanasikan sendiri dari sudut persepsi. yang jelas DEMENSIA ingin terus menunjukkan aransemen yang tetep Metal itu harus seperti bagaimana, preetttt !! The Heightened Sophomore approach by all means required those adjustments, and it shows from every note played how Determined the whole team were in creating something really worthy. Sorry, karena yang baca ini terdapat umat 2 dunia, jadinya suka suka mo pake bahasa Indonesia atau bahasa Inggris, kalau ga paham jangan bikin Argumen sendiri yaa, yang penting 12 track yang DEMENSIA siapkan di " Diorama Phobia " ini bisa bikin kita Headbang suka ria. Persetan dengan Pengakuan, yang penting Berkarya daripada cuman Rajin membual, Asuuuu !!!






SUPREMATOR ..... Musically, this material is very dark; it’s more natural than studio dark, since everything feels like a gust of the outdoors: the washing distortion, melancholic acoustic / clean lapses, and Supremator shrieking like the earth letting loose all of its rage. sudah menjadi Obsesi yang telah mengerak beberapa tahun silam sebelum Booming sialan-nya membentuk trend yang terlalu diagung agungkan menjadi persepsi tidak jelas akan keberadaannya. Supremator adalah band Black metal yang menyuarakan kepedihan, kesedihan dan Keputus asaan manusia. secara mendasar komposisi BM adalah pakem yang semakin abstrak dengan sentuhan sentuhan Synthesizer engga jelas untuk memberikan landscape megah dan gelap tentunya. never beat a riff to death, incorporating enough variance to make the material interesting; at the same time, it is similar enough to ensure the album is very tight and cohesive. Nothing really seems out of place. The drumming is loud, demonstrating versatility behind a kit. is a very able fast beat, and is also very quick on the double kick. Something that also impressed me were his drum fills--not a single piece of his kit goes untouched in a given song. pretentious, maybe, but it adds some flair to each track.








THUNDERBEAST .... There is nothing wrong with Blasphemous songwriting, and it is possible to create original and Engaging Darkened era material in this day and age. the frenzied dark of killing force riffage and the devastating drum for attempting a more interesting and epic album each time out the starting gate bit too brutal for its own good, and the complex, epic songwriting got lost in the speed and stacatto deathgrunts. this is some of the most punishing material for fans Behemoth, Vesania, Angelcorpse and Belphegor.













VERRINE .... This is considered a definitive Faster than faster black metal and for good reason. The atmosphere and rawness of this musical is horrified recognizable. Indeed, most of the Second Wave probably falls under that description, but Verrine were highbrow by fast and contrast. They brought about the rabid Barbaric aggression of fast black metal, but with it a regal sophistication that seems years beyond the capability destruction world of war disorder ! outstretched their practical reach here. The result is an atmospheric, dense album where some of the mystique lies in the fact you know the mix has robbed you of hearing everything in its full glory. The surprise dynamic shifts they guide the songwriting are most satisfying when you're totally familiar with the material and know when to expect something new to display a characteristic tone quality that sets is apart and immediately recognizable to any BM Enthusiast it seems to have played a pretty big part in spreading the general sentiment of Anybody can make a big majestic BM material ! Yes, you! Even if you lack the songwriting skills to pull it off, just stack some synths on top of it and make it sound big and people will eat it right up! one of the great things about this release, the songs. They are written and arranged well. So well in fact, that most of the material here is absolutely memorable - you keep thinking of certain riffs, such as the crushing display of power especially for fans Infernal War, Marduk, Azarath, Ravensblood, Darkened Nocturn Slaughtercult, Tsjuder and Setherial. It is a furious, insanely vicious and bloodthirsty infernal blasting black/death metal. But the riffage is better and better, so are the ideas, arrangements... I feel like everything is more interesting and capturing, but without compromising or losing the madness and chaos, which characterized Verinne from the very beginning, because this band fuckin rules !





TOKOH FIKSI .... The song structures are just as unconventional as the song structures of chaotic in praise, in which the riffs and drum change a lot throughout each song and it mixes Acid Jazz with BDM riffs. No neo classical melody enters music yet, however. Nothing is that repetitive at all, and this material musical style Hedonism defines the sound of Grinding Butchery and crushed your ear, flawlessly. coba coba meracik warna sendiri yang menjadi penggabungan tidak resmi antara karakteristik bermainnya Virulence, Caesarean Section, Blorgalakt, Lost Detour hingga Ferocity.












FESTERING CORPSES .... Is the unused soundtrack for Texas Chainsaw Massacre? A guttural murder-fest discarded from the final release because it out-shined the actual film? I'm joking, but this is the atmosphere Festering Corpses Musical conjures, that of a seedy snuff film distributed and venerated by a legion of underground pervs, jerking off to every viewing with as much delight as their first wank. It's popular because its more or less a complete package of BDM by the numbers, nothing here is out of the ordinary and everything is a cliche. Being one of the most well known and most influential bands in BDM in the veins. blend together because although they are all extremely chaotic, they use the exact same kind of chaos for every song, and this manifests in both the songwriting and the individual efforts form the band. all the riffs fall under three basic flavors: sharp staccato runs quickly changing pace, mid to high range tremelo picked held notes, and slow crushing sections. No solos come into play, and the tempo never tends to either a very high speed or a slow slam speed. None of the riffs really stick to my head, because they are all essentially the same three types of riffs played on different ends of the scale. The tempo changes and lightning fast staccatos are intenses impressive, but none of them really grab you by the balls and force you to bang your head or step back from the speaker's in awe of a crushing auditory assault. There is little apparent passion or ferocity outside of a savagely brutal ascetic. The guitar work is equally fascinating. The riffs on display range from razor sharp and ultra precise to blunt and hammer smashing. Each riff carries a strange aura that is equal parts morbidly disgusting and disturbingly urgent. Just imagine a hideous beast whose presence emanates a foul, stomach turning stench, and whose dismal sight is surely to provoke severe vomiting, or else, violent seizure. That is what the riffs would appear like if they were ever to take tangible form. The guttural roars delivered by the vocalist is what this monstrosity would sound like if it ever decided to speak.



BLOODFROZEN .... Bloodfrozen have always been a unique act among the Indonesian black metal scene. They have leaned towards a rather epic approach to black metal, and probably not first to do so, not to mention the idea of incorporating in their sound dark harmonized riff and evil spirit, thus creating an unmistakeable and possibly one of the most appealing to brand of extreme music at least for what's concerning the 90's timespan. and speaking of which, this album stands as a monolith for anyone who claims black metal can't technical: the guitars play beautifully intricate and malevolent patterns, and they often play different riffs that perfectly complement each other actually emerges from the cacophony, nor do Bloodfrozen break from the tradition of sprawling riffs covering most of the songs, though denying this materialized significance in the development of BM would be plain wrong and so still gave the sinister art of their homeland the most intelligent, flexible and musically most valuable face. Already their debut mirrored their overflowing creativity and its only disadvantage was that one thing became quite obvious: the black metal frame could be too narrow for the musicians. There's a whole ton of tremolo picking regarding the riffs. Though there are instances of power chords and palm muting and even pinch harmonics, it's fairly accurate to say that the riffs pretty much solely rely on tremolo picking. The riffs are played relatively low on the fretboard, however they are very melodic for the most part. What really makes this album so special, however, is the synth makes the album so atmospheric and epic. It sounds so sinister and haunting, yet quite melodic and sad. It blends in perfectly with the guitars, which plays more typical BM riff.





PRAEVALIDUS .... The pharaoh’s curse is believed to be a punishment from the ancient Egyptian gods on the ones who annoy the eternal Rest the pharaoh. The curse will cause illness, bad luck and death to anyone who disturbs the tomb of the mummy-like thieves and archaeologists. The curse became very popular all over the world after the discovery of King Tutankhamun’s tomb in the valley of the kings by the famous Egyptologist “Howard Carter” despite the fact that many stories about curses dated back to the 19th century. The pharaoh’s curse is known to be a magical phenomenon but many documentaries had argued that the curse could be real as all the bad misfortune could be caused by scientific substances like bacteria and radiation.











THE SWAMP .... Waste of Scars Torment was annoyingly catchy. The main riff sounded alright with some blast beats, but the rest of the song was pretty predictable and the chorus sucked. though the riffing and drumming throughout the songs is generally of a high quality the way these songs are delivered robs them of their power. The songs feel slovenly and sluggish despite their implied aggression, and for all the blasting drums and fast riffing the performances feel lifeless. was significantly attracted to its dark and evil musicianship that I thought to be scary at times. Well, being a kid who could hardly speak any English, the only thing I could make out was the otherworldly violent songs. It was not until secondary school that we began to understand what most metal bands were signing about a different speed and they don’t seem to lose any sense of brutality despite shifting down the gear.

 
     
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